...In an essay, “The Professor of Parody,” renowned philosopher Martha Nussbaum raised the issue of Butler’s style, calling it “ponderous and obscure” and “dense with allusions to other theorists, drawn from a wide range of different theoretical traditions…It bullies the reader into granting that, since one cannot figure out what is going on, there must be something significant going on, some complexity of thought, where in reality there are often familiar or even shopworn notions, addressed too simply and too casually to add any new dimension of understanding.”
Most famously, in 1998, philosophy professor Denis Dutton’s journal Philosophy and Literature awarded Butler first prize in its “Bad Writing Competition,” which claims to “celebrate bad writing from the most stylistically lamentable passages found in scholarly books and articles.” Butler received the award for this 94-word sentence that was published in the journal Diacritics:
“The move from a structuralist account in which capital is understood to structure social relations in relatively homologous ways to a view of hegemony in which power relations are subject to repetition, convergence, and rearticulation brought the question of temporality into the thinking of structure, and marked a shift from a form of Althusserian theory that takes structural totalities as theoretical objects to one in which the insights into the contingent possibility of structure inaugurate a renewed conception of hegemony as bound up with the contingent sites and strategies of the rearticulation of power.”
Read all of Barbara Kay's column in The National Post
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